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4122 Members
81 Forums
13429 Topics
170233 Posts
Max Online: 722 @ 04/10/08 12:10 PM
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#92407 - 08/26/05 04:22 PM
Flam Rudiment Heights
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Anonymous
Unregistered
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I need to do is get my rudiments perfect. So allow me to pose a question to you: What heights would you play on the grace note, Accent, and unaccented note on something like a flam accent?
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#92409 - 08/26/05 06:16 PM
Re: Flam Rudiment Heights
[Re: flickityschmock]
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Registered: 09/18/02
Loc: Brunswick, Maryland, USA
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I usually keep the Grace notes at 1.5 inches, the unaccented notes at 3 inches and the Accented note at 9 inches for a forte passage. However, if the passage is very soft and just meaty (a lot of notes that add depth and is challenging, but at low heights won't blow away hornline), keep the grace as low as you can get it (hardly audible) and the unaccented notes at 1.5 inches and the accented note at 3 inches. It's all relative, though.
_________________________
Scott Smith Proud but unofficial endorser of: Vic Firth Sticks and Mallets, Remo Drum Heads Fantasy Corps Director: The Engineers [color:"blue"]Shenandoah Sound 2005-2006 Percussion (Quads)[/color] [color:"red"] New York Skyliners 2007?? [/color] My Blog: http://choplesswonder85.blogspot.com/
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#92410 - 08/26/05 09:08 PM
Re: Flam Rudiment Heights
[Re: Drummer85]
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Anonymous
Unregistered
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It pretty much depends on the volume of the passage. My drumline keeps the grace note barely lower in volume then the accented note, where as the unaccented notes are kept inaudible. No matter what the accents should drive a phrase with the unaccented notes pretty much there for support.
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#92411 - 08/26/05 10:45 PM
Re: Flam Rudiment Heights
[Re: ]
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Anonymous
Unregistered
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#92413 - 08/27/05 10:35 AM
Re: Flam Rudiment Heights
[Re: AsianTenorGuy]
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Anonymous
Unregistered
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No, I'd say the grace notes are softer than taps.
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#92414 - 08/27/05 01:15 PM
Re: Flam Rudiment Heights
[Re: ]
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Registered: 07/12/04
Loc: Jackson, Ohio
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I see everyone saying to play grace notes at 1 inch. Be realistic please. In any dense flam passage, you will raise your grace notes to nearly (or the same as) tap height.
_________________________
'03-'04 - JHS Snare '04-'05 - JHS Snare '05-'06 - JHS Center Snare '06 - West Athens Cymbal Line
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#92418 - 08/27/05 06:58 PM
Re: Flam Rudiment Heights
[Re: DlocPuWons]
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Anonymous
Unregistered
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so division 1 corps at tryouts aren't going to care if your grace notes on flams aren't lower than taps?
Edited by slrchs07 (08/27/05 07:27 PM)
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#92419 - 08/27/05 08:33 PM
Re: Flam Rudiment Heights
[Re: ]
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Registered: 11/27/04
Loc: Los Angeles, CA
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woah let's not say that.
What my private instructor tells me is that there should be 3-heights in a flam exercise. Accent, tap, grace. 12, 3, 1. When you play it slow, the 3 heights SHOULD be different. As you gradually speed up, the tap and grace begin to meld and become the same height. He says it's good to have 3 heights to clean your flams at a slow tempo, and by practicing the flams slow, they sound cleaner when you speed up and the grace note and tap begin to become the same height.
So that is to say, Division 1 corps would like it if you could play your flams slowly, but in 3 defined heights. As you get faster, they won't expect you to be able to maintain those 3 heights...right? The more flexibility you got, the better.
_________________________
UCLA Tenorline 06-08
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#92420 - 08/27/05 10:09 PM
Re: Flam Rudiment Heights
[Re: EnigmaticRonin]
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Registered: 05/13/04
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Quote:
woah let's not say that.
What my private instructor tells me is that there should be 3-heights in a flam exercise. Accent, tap, grace. 12, 3, 1. When you play it slow, the 3 heights SHOULD be different. As you gradually speed up, the tap and grace begin to meld and become the same height. He says it's good to have 3 heights to clean your flams at a slow tempo, and by practicing the flams slow, they sound cleaner when you speed up and the grace note and tap begin to become the same height.
I completely agree with your instructor. When practicing at 40 BPMs to really work on even sound quality, there should be 3 heights. What I was referring to was flam accents in actual musical context. You really can't have 3 heights. Just like your instructor said, they meld and become the same.
_________________________
ECJ Snare Line 05-06
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#92421 - 08/27/05 10:54 PM
Re: Flam Rudiment Heights
[Re: DlocPuWons]
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Registered: 07/12/04
Loc: Jackson, Ohio
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Thank you.
_________________________
'03-'04 - JHS Snare '04-'05 - JHS Snare '05-'06 - JHS Center Snare '06 - West Athens Cymbal Line
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#92425 - 08/31/05 09:18 PM
Re: Flam Rudiment Heights
[Re: geefunk]
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Anonymous
Unregistered
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Here is something I was taught years ago. Just to warn you the guy who told me this was an odd fellow, to say the least. When your sticks are at rest, they should be 2" above the head of the drum. To play a tap you lift the wrist slightly, bringing the stick 3" above the head. For a grace note, there is no lifting of the wrist used. Now, he DID say not to just "drop" the grace note but to place it using only a downward motion from the wrist. Accents were defined at 9". To me, this is one of those "sounds great in theory" type of things but isn't very practical in real world applications, especially when playing complex patterns at high tempos and/or dynamics. Most lines I've seen seem to play their grace notes at tap height.
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#92426 - 09/04/05 05:01 PM
Re: Flam Rudiment Heights
[Re: ]
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Anonymous
Unregistered
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rest at 2"? We're taught that the beads should be a quarter and a quarter: Quarter of an inch from the head, and quarter of an inch from each other.
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#92428 - 09/04/05 10:34 PM
Re: Flam Rudiment Heights
[Re: ]
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Anonymous
Unregistered
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Like I said this guy was a bit odd. 2 inches at rest is way too high for me. 1 inch, I think I could live with. I rest at about a half an inch, personally.
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